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NT Live: Who’s Afraid Of Virginia Woolf (Encore)
Runtime: 210mins   Rating: LIVE 12A
Sonia Friedman Productions present Imelda Staunton (Gypsy, Vera Drake, the Harry Potter films), Conleth Hill (Game Of Thrones, The Producers), Luke..read more
Sonia Friedman Productions present Imelda Staunton (Gypsy, Vera Drake, the Harry Potter films), Conleth Hill (Game Of Thrones, The Producers), Luke Treadaway (A Street Cat Named Bob, The Curious Incident of the Dog in the Night-Time, The Hollow Crown) and Imogen Poots (A Long Way Down, Jane Eyre) in James Macdonald’s critically acclaimed, 5 star production of Edward Albee’s landmark play, broadcast live to cinemas from the Harold Pinter Theatre, London. In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling. ‘Imelda Staunton is at her magnificent best. A first-rate revival of an astonishing play.’ The Guardian ‘Conleth Hill is superb. Exquisite.’ Evening Standard ‘Luke Treadaway and Imogen Poots are terrific.’ Metro ‘James Macdonald’s blistering production. Intoxicatingly good.’ Financial Times Please note, this screening carries a 12A certificate. Runtime: 210mins including an interval Tickets £13, Concessions £12
Broadcast

RSC Live: Antony and Cleopatra (Encore)
Rating: LIVE
Following Caesar's assassination and his own rise to power, Mark Antony chooses a life of decadent seduction with Cleopatra, Queen of Egypt, where his military..read more
Following Caesar's assassination and his own rise to power, Mark Antony chooses a life of decadent seduction with Cleopatra, Queen of Egypt, where his military brilliance deserts him and his passion leads the lovers to their tragic end. Tickets: £13, Concessions £12
Broadcast

Royal Ballet: The Dream / Symphonic Variations / Marguerite and Armand (Live)
Rating: LIVE
This gorgeous mixed programme demonstrates the great creative vision of Frederick Ashton, Founder Choreographer of The Royal Ballet. The Dream is Ashton's..read more
This gorgeous mixed programme demonstrates the great creative vision of Frederick Ashton, Founder Choreographer of The Royal Ballet. The Dream is Ashton's adaptation of Shakespeare's riotous comedy in which a forest sprite plays havoc, armed with a love potion. Symphonic Variations was Ashton's first work after World War II, and one of the Company's first to be performed on the huge main stage of the Royal Opera House, in 1946. With six dancers performing a series of quartets, duets, sextets and solos to Franck's brooding Variations symphoniques, this seminal masterpiece celebrates the pure beauty of movement. Marguerite and Armand is Ashton's beautiful and emotional retelling of a well-known story, familiar to us through Verdi's opera La traviata. Ashton famously created this poignant ballet on Margot Fonteyn and Rudolf Nureyev in 1963. Tickets: £18.50, Concessions: £16.50, Child (under 16): £10
Broadcast

NT Live: Peter Pan (Recorded)
Runtime: 175mins   Rating: PG
'Spellbindingly imaginative. A dazzling production.' Radio Times All children, except one, grow up… Captured live at the National..read more
'Spellbindingly imaginative. A dazzling production.' Radio Times All children, except one, grow up… Captured live at the National Theatre, a recorded performance of JM Barrie's much-loved tale screens in cinemas this summer. When Peter Pan, leader of the Lost Boys, loses his shadow, headstrong Wendy helps him to reattach it. In return, she is invited to Neverland, where Tinker Bell the fairy, Tiger Lily and the vengeful Captain Hook await. A riot of magic, music and make-believe ensues. A delight for children and adults alike, Sally Cookson (NT Live: Jane Eyre) directs this wondrously inventive production, a co-production with Bristol Old Vic theatre. NOTE: This screening carries a PG certificate. This event was recorded live in front of an audience. It is not a live broadcast. Tickets £13, Concessions £12
Broadcast

NT Live: Salome (Live)
Runtime: 200mins   Rating: LIVE
The story has been told before, but never like this. An occupied desert nation. A radical from the wilderness on hunger strike. A girl whose mysterious dance will..read more
The story has been told before, but never like this. An occupied desert nation. A radical from the wilderness on hunger strike. A girl whose mysterious dance will change the course of the world. This charged retelling turns the infamous biblical tale on its head, placing the girl we call Salomé at the centre of a revolution. Internationally acclaimed theatre director Yaël Farber (Les Blancs) draws on multiple accounts to create her urgent, hypnotic production which will be broadcast live from the stage of the National Theatre. 'Epic. A near-perfect production.' Guardian (on Les Blancs ) NOTE: This performance may contain nudity. Please note, this screening carries a 15 certificate. Tickets £13, Concessions £12
Broadcast

Royal Opera: Otello (Live)
Runtime: 165mins   Rating: LIVE
World-famous tenor Jonas Kaufmann makes his role debut as Otello in Verdi's passionate retelling of Shakespeare's great tragedy of jealousy, deception and murder. Soprano Maria..read more
World-famous tenor Jonas Kaufmann makes his role debut as Otello in Verdi's passionate retelling of Shakespeare's great tragedy of jealousy, deception and murder. Soprano Maria Agresta will be his Desdemona and baritone Ludovic Tézier his nemesis Iago in a new production by Olivier Award winning director Keith Warner. A major work of the opera repertory, Verdi's Otello draws on the full forces of the Orchestra of the Royal Opera House, the Royal Opera Chorus and this stellar line-up of principal singers, with exquisite duets, emotionally potent solo numbers and thrilling choruses. Particular highlights include Otello and Desdemona's rapturous love duet and Desdemona's poignant 'Willow Song'. Royal Opera Music Director Antonio Pappano conducts this Italian masterpiece. All live cinema screenings are classified 12A by the BBFC – any child under 12 must be accompanied by an adult. Tickets: £18.50, Concessions: £16.50, Child (under 16): £10
Broadcast

La bohème: Live from Taormina
Runtime: 145mins   Rating: LIVE
Perched high above the picturesque coast of Sicily and sitting under the shadow of Mt. Etna, Teatro Antico di Taormina has inspired artists for over 2000 years - from..read more
Perched high above the picturesque coast of Sicily and sitting under the shadow of Mt. Etna, Teatro Antico di Taormina has inspired artists for over 2000 years - from the ancient Greeks and Romans to Woody Allen and today’s opera stars. Every summer, this romantic and dramatic setting welcomes opera lovers from all over the world. 2017 is no exception, with the staging of Puccini’s La bohème - the tragic love story between a young poet and a seamstress. Directed by Enrico Castiglione, this retelling of the timeless classic will enchant cinema audiences with its intense melodic lyrics, original and refined harmony, instrumental light feel and nuances which are all unmistakable and unique. For one night only, come and experience this spectacular opera on the big screen, live from Taormina, Sicily! Running time: approx. 145min (inc. 1 interval) La bohème will be performed in original Italian, with English subtitles. Tickets: £18.50, Conc. £16.50
Broadcast

André Rieu's 2017 Maastricht concert (Via Satellite)
Runtime: 185mins   Rating: TBC
Known to millions as ‘The King of Waltz’, André Rieu is one of the world’s most popular music artists. His legendary annual Maastricht concert is the most eagerly..read more
Known to millions as ‘The King of Waltz’, André Rieu is one of the world’s most popular music artists. His legendary annual Maastricht concert is the most eagerly anticipated cinema event of the year, last year setting new box office records in several countries. Set against the stunning medieval backdrop of the town square in André’s Dutch hometown, the spectacular Maastricht concert features the maestro in his element, along with his 60-piece Johann Strauss Orchestra, sopranos, tenors and very special guests. André delivers an unforgettable musical experience full of humor, fun and emotion for all ages. This presentation of André Rieu’s 2017 Maastricht Concert in Cinemas features host Charlotte Hawkins, who conducts an interview with André Rieu the moment he steps off stage, exclusively for cinema audiences. This year is a very special year because it is exactly 30 years ago that André Rieu started his Johann Strauss Orchestra in his home town of Maastricht. From a small group of musicians rehearsing in the classroom of André’s son’s primary school to stadiums and concert halls around the world - what a journey it has been! Take a front row seat and experience this spectacular musical event on the big screen. Enjoy backstage access, interviews with André and his special guests, musical favourites and much, much more, exclusive to cinema. For a truly unforgettable cinematic experience, please join André and his Orchestra in their hometown of Maastricht for 2 days only on Saturday 22nd and Sunday 23rd July at the ‘2017 Maastricht Concert’ to ‘Celebrate 30 years of André and his Johann Strauss Orchestra’. 185 minutes approx. (incl. intermission) Tickets: £20.00, Conc. £18.00
Broadcast

André Rieu's 2017 Maastricht concert Encore (Via Satellite)
Runtime: 185mins   Rating: TBC
Known to millions as ‘The King of Waltz’, André Rieu is one of the world’s most popular music artists. His legendary annual Maastricht concert is the most eagerly..read more
Known to millions as ‘The King of Waltz’, André Rieu is one of the world’s most popular music artists. His legendary annual Maastricht concert is the most eagerly anticipated cinema event of the year, last year setting new box office records in several countries. Set against the stunning medieval backdrop of the town square in André’s Dutch hometown, the spectacular Maastricht concert features the maestro in his element, along with his 60-piece Johann Strauss Orchestra, sopranos, tenors and very special guests. André delivers an unforgettable musical experience full of humor, fun and emotion for all ages. This presentation of André Rieu’s 2017 Maastricht Concert in Cinemas features host Charlotte Hawkins, who conducts an interview with André Rieu the moment he steps off stage, exclusively for cinema audiences. This year is a very special year because it is exactly 30 years ago that André Rieu started his Johann Strauss Orchestra in his home town of Maastricht. From a small group of musicians rehearsing in the classroom of André’s son’s primary school to stadiums and concert halls around the world - what a journey it has been! Take a front row seat and experience this spectacular musical event on the big screen. Enjoy backstage access, interviews with André and his special guests, musical favourites and much, much more, exclusive to cinema. For a truly unforgettable cinematic experience, please join André and his Orchestra in their hometown of Maastricht for 2 days only on Saturday 22nd and Sunday 23rd July at the ‘2017 Maastricht Concert’ to ‘Celebrate 30 years of André and his Johann Strauss Orchestra’.
Broadcast

NT Live: Angels in America Part 1: Millennium Approaches (Encore)
Runtime: 225mins   Rating: AS LIVE 15
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and..read more
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell. Andrew Garfield (The Social Network) plays Prior Walter along with a cast including Denise Gough (People, Places and Things), Nathan Lane (The Producers), James McArdle (The Young Chekhov Season) and Russell Tovey (Being Human). This new staging of Tony Kushner’s multi-award winning two-part play is directed by Olivier and Tony award winning director Marianne Elliott (The Curious Incident of the Dog in the Night-Time and War Horse). Part One: Millennium Approaches was first performed at the National Theatre in 1992 and was followed by Part Two: Perestroika the following year. Please note, this screening carries a 15 (TBC) certificate. Tickets: £13, Concessions £12
Broadcast

NT Live: Angels in America Part 2: Perestroika (Encore)
Runtime: 225mins   Rating: AS LIVE 15
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and..read more
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell. Andrew Garfield (The Social Network) plays Prior Walter along with a cast including Denise Gough (People, Places and Things), Nathan Lane (The Producers), James McArdle (The Young Chekhov Season) and Russell Tovey (Being Human). This new staging of Tony Kushner’s multi-award winning two-part play is directed by Olivier and Tony award winning director Marianne Elliott (The Curious Incident of the Dog in the Night-Time and War Horse). Part One: Millennium Approaches was first performed at the National Theatre in 1992 and was followed by Part Two: Perestroika the following year. Please note, this screening carries a 15 (TBC) certificate. Tickets: £13, Concessions £12
Broadcast

RSC Live: Titus Andronicus
Rating: LIVE
The decay of Rome reaches violent depths in Shakespeare’s most bloody play. Titus is a ruler exhausted by war and loss, who relinquishes power but leaves..read more
The decay of Rome reaches violent depths in Shakespeare’s most bloody play. Titus is a ruler exhausted by war and loss, who relinquishes power but leaves Rome in disorder. Rape, cannibalism and severed body parts fill the moral void at the heart of this corrupt society. Shakespeare’s gory revenge tragedy presents us with murder as entertainment, and, as the body count piles up, poses questions about the nature of sexuality, family, class and society. Tickets: £13, Concessions £12
Broadcast

NT Live: Yerma (Live)
Runtime: 120mins   Rating: LIVE
The incredible Billie Piper (Penny Dreadful, Great Britain) returns in her Evening Standard Best Actress award-winning role. A young woman is driven to the..read more
The incredible Billie Piper (Penny Dreadful, Great Britain) returns in her Evening Standard Best Actress award-winning role. A young woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone's radical production of Lorca's achingly powerful masterpiece. The unmissable theatre phenomenon sold out at the Young Vic and critics call it 'an extraordinary theatrical triumph' (The Times) and 'stunning, searing, unmissable' (Mail on Sunday). Billie Piper's lead performance is described as 'spellbinding' (The Evening Standard), 'astonishing' (iNews) and 'devastatingly powerful' (The Daily Telegraph). Set in contemporary London, Piper's portrayal of a woman in her thirties desperate to conceive builds with elemental force to a staggering, shocking, climax. Please note that this broadcast does not have an interval. "Brutal yet ferociously funny", Metro "Billie Piper makes a shattering Yerma in Simon Stone's inspired reworking of Lorca", The Observer "A shatteringly powerful reinvention of a familiar classic", The Independent Please note, this screening carries a 15 certificate. Tickets £13, Concessions £12
Broadcast

Carmen on the Lake
Runtime: 120mins   Rating: LIVE
Performed on the spectacular water stage of Lake Constance in Bregenz (Austria), George Bizet’s Carmen is a story of passion, destiny and obsession. The French..read more
Performed on the spectacular water stage of Lake Constance in Bregenz (Austria), George Bizet’s Carmen is a story of passion, destiny and obsession. The French composer’s opera is most famous for its Spanish melodies, including the Flower Song, Habanera and the Toreador Song. On 14 September, experience Carmen like never before – recorded live on the floating stage during the Bregenz Festival. As with their previous spectacular productions, you can expect the staging of this classic tale to have an extravagantly original and innovative design, with the waters of the lake being used as an extension of the stage. This production of Carmen will be directed by Kasper Holten, Director of Opera at the Royal Opera House in London, with the set designed by the British artist Es Devlin. Her past work includes sets for such stars as Adele, Take That, U2, Pet Shop Boys and Kanye West. Tickets: £18.50, Conc. £16.50
Broadcast

Royal Opera: Die Zauberflote / The Magic Flute (Live)
Runtime: 190mins   Rating: LIVE
Mozart's glorious opera The Magic Flute is brought enchantingly to life in David McVicar's production with beautiful sets by John Macfarlane. Prince..read more
Mozart's glorious opera The Magic Flute is brought enchantingly to life in David McVicar's production with beautiful sets by John Macfarlane. Prince Tamino promises the Queen of the Night that he will rescue her daughter Pamina from the enchanter Sarastro. He begins his quest, accompanied by the bird-catcher Papageno - but all is not as it seems... David McVicar's classic production embraces both the seriousness and comedy of Mozart's work. The audience is transported to a fantastical world of dancing animals, flying machines and dazzling starry skies. The setting provides a wonderful backdrop for Mozart's kaleidoscopic score, from the Queen of the Night's coloratura fireworks to Tamino and Pamina's lyrical love duets and Papageno's hearty, folksong-like arias. As well as being a comedy The Magic Flute is an expression of Mozart's profound spiritual beliefs: Enlightenment concerns with the search for wisdom and virtue are at the heart of this enchanting tale. The Magic Flute was an instant success with audiences and Mozart's supposed rival Salieri described it as an 'operone' - a great opera. Tickets: £18.50, Concessions: £16.50, Child (under 16): £10
Broadcast

Royal Opera: Die Zauberflote / The Magic Flute (Encore)
Runtime: 190mins   Rating: LIVE
Mozart's glorious opera The Magic Flute is brought enchantingly to life in David McVicar's production with beautiful sets by John Macfarlane. Prince..read more
Mozart's glorious opera The Magic Flute is brought enchantingly to life in David McVicar's production with beautiful sets by John Macfarlane. Prince Tamino promises the Queen of the Night that he will rescue her daughter Pamina from the enchanter Sarastro. He begins his quest, accompanied by the bird-catcher Papageno - but all is not as it seems... David McVicar's classic production embraces both the seriousness and comedy of Mozart's work. The audience is transported to a fantastical world of dancing animals, flying machines and dazzling starry skies. The setting provides a wonderful backdrop for Mozart's kaleidoscopic score, from the Queen of the Night's coloratura fireworks to Tamino and Pamina's lyrical love duets and Papageno's hearty, folksong-like arias. As well as being a comedy The Magic Flute is an expression of Mozart's profound spiritual beliefs: Enlightenment concerns with the search for wisdom and virtue are at the heart of this enchanting tale. The Magic Flute was an instant success with audiences and Mozart's supposed rival Salieri described it as an 'operone' - a great opera. Tickets: £18.50, Concessions: £16.50, Child (under 16): £10
Broadcast

Royal Opera: La Boheme (Live)
Runtime: 155mins   Rating: LIVE
When Rodolfo, a penniless poet, meets Mimì, a seamstress, they fall instantly in love. But their happiness is threatened when Rodolfo learns that Mimì is gravely..read more
When Rodolfo, a penniless poet, meets Mimì, a seamstress, they fall instantly in love. But their happiness is threatened when Rodolfo learns that Mimì is gravely ill. Acclaimed director Richard Jones (Boris Godunov, Il trittico) directs a new production of Puccini's La bohème. Irresistible in its witty, passionate blend of comedy and tragedy, the opera focuses on the lives of a group of young artists as they eke out an existence on the bohemian fringes of Paris, the capital of the 19th century. Jones brings his characteristically acute insight to this much-loved classic, visualised in Stewart Laing's spectacular, stylized 1850s setting. Puccini's romantic depiction of bohemian Paris, with memorable music and a love story drawn from everyday life, has captivated audiences around the world, making La bohème one of the best-loved of all operas. It was first performed in Covent Garden in 1897 and has had more than five hundred performances there since. Tickets: £18.50, Concessions: £16.50, Child (under 16): £10
Broadcast

Royal Opera: La Boheme (Encore)
Runtime: 155mins   Rating: LIVE
When Rodolfo, a penniless poet, meets Mimì, a seamstress, they fall instantly in love. But their happiness is threatened when Rodolfo learns that Mimì is gravely..read more
When Rodolfo, a penniless poet, meets Mimì, a seamstress, they fall instantly in love. But their happiness is threatened when Rodolfo learns that Mimì is gravely ill. Acclaimed director Richard Jones (Boris Godunov, Il trittico) directs a new production of Puccini's La bohème. Irresistible in its witty, passionate blend of comedy and tragedy, the opera focuses on the lives of a group of young artists as they eke out an existence on the bohemian fringes of Paris, the capital of the 19th century. Jones brings his characteristically acute insight to this much-loved classic, visualised in Stewart Laing's spectacular, stylized 1850s setting. Puccini's romantic depiction of bohemian Paris, with memorable music and a love story drawn from everyday life, has captivated audiences around the world, making La bohème one of the best-loved of all operas. It was first performed in Covent Garden in 1897 and has had more than five hundred performances there since. Tickets: £18.50, Concessions: £16.50, Child (under 16): £10
Broadcast

RSC: Coriolanus (Live)
Rating: LIVE
A full-throttle war play that revels in the sweat of the battlefield, Coriolanus transports us back to the emergence of the republic of Rome. Caius..read more
A full-throttle war play that revels in the sweat of the battlefield, Coriolanus transports us back to the emergence of the republic of Rome. Caius Martius Coriolanus is a fearless soldier but a reluctant leader. His ambitious mother attempts to carve him a path to political power, but he struggles to change his nature and do what is required to achieve greatness. In this new city state struggling to find its feet, where the gap between rich and poor is widening every day, Coriolanus must decide who he really is and where his allegiances lie. Rome Season Director, Angus Jackson, completes the Royal Shakespeare Company’s collection of Shakespeare’s Roman plays with a visceral production which sees Sope Dirisu (One Night in Miami, Donmar Warehouse, 2016) take on the title role. Runtime TBC Tickets: £13, Concessions £12
Broadcast

Royal Ballet: Alice's Adventures in Wonderland (Live)
Runtime: 170mins   Rating: LIVE
At a garden party on a sunny afternoon, Alice is surprised to see her parents’ friend Lewis Carroll transform into a white rabbit. When she follows him down a rabbit..read more
At a garden party on a sunny afternoon, Alice is surprised to see her parents’ friend Lewis Carroll transform into a white rabbit. When she follows him down a rabbit hole events become curiouser and curiouser... As Alice journeys through Wonderland, she encounters countless strange creatures. She’s swept off her feet by the charming Knave of Hearts, who’s on the run for stealing the tarts. Confusion piles upon confusion. Then Alice wakes with a start. Was it all a daydream? Christopher Wheeldon’s Alice’s Adventures in Wonderland burst onto the stage in 2011 in an explosion of colour, stage magic and inventive, sophisticated choreography. Joby Talbot’s score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley’s wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real. Alice encounters a cast of extraordinary and instantly recognizable characters, from the highly strung Queen of Hearts – who performs a hilarious send-up of The Sleeping Beauty's famous Rose Adage – to a playing-card corps de ballet, a sinuous caterpillar and a tap-dancing Mad Hatter. But the ballet does not avoid the darker undercurrents of Lewis Carroll’s story: a nightmarish kitchen, an eerily disembodied Cheshire Cat and the unhinged tea party are all here in vivid detail. The delicious result shows The Royal Ballet at its best, bringing together world-class dance with enchanting family entertainment. Tickets: £18.50, Concessions: £16.50, Child (under 16): £10
Broadcast

Royal Ballet: Alice's Adventures in Wonderland (Encore)
Runtime: 170mins   Rating: LIVE
At a garden party on a sunny afternoon, Alice is surprised to see her parents’ friend Lewis Carroll transform into a white rabbit. When she follows him down a rabbit..read more
At a garden party on a sunny afternoon, Alice is surprised to see her parents’ friend Lewis Carroll transform into a white rabbit. When she follows him down a rabbit hole events become curiouser and curiouser... As Alice journeys through Wonderland, she encounters countless strange creatures. She’s swept off her feet by the charming Knave of Hearts, who’s on the run for stealing the tarts. Confusion piles upon confusion. Then Alice wakes with a start. Was it all a daydream? Christopher Wheeldon’s Alice’s Adventures in Wonderland burst onto the stage in 2011 in an explosion of colour, stage magic and inventive, sophisticated choreography. Joby Talbot’s score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley’s wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real. Alice encounters a cast of extraordinary and instantly recognizable characters, from the highly strung Queen of Hearts – who performs a hilarious send-up of The Sleeping Beauty's famous Rose Adage – to a playing-card corps de ballet, a sinuous caterpillar and a tap-dancing Mad Hatter. But the ballet does not avoid the darker undercurrents of Lewis Carroll’s story: a nightmarish kitchen, an eerily disembodied Cheshire Cat and the unhinged tea party are all here in vivid detail. The delicious result shows The Royal Ballet at its best, bringing together world-class dance with enchanting family entertainment. Tickets: £18.50, Concessions: £16.50, Child (under 16): £10
Broadcast

Royal Ballet: The Nutcracker (Live)
Runtime: 135mins   Rating: LIVE
The young Clara creeps downstairs on Christmas Eve to play with her favourite present – a Nutcracker doll. But the mysterious magician Drosselmeyer is waiting to..read more
The young Clara creeps downstairs on Christmas Eve to play with her favourite present – a Nutcracker doll. But the mysterious magician Drosselmeyer is waiting to sweep her off on a magical adventure. After defeating the Mouse King, the Nutcracker and Clara travel through the Land of Snow to the Kingdom of Sweets, where the Sugar Plum Fairy treats them to a wonderful display of dances. Back home, Clara thinks she must have been dreaming – but doesn’t she recognize Drosselmeyer’s nephew? Peter Wright’s nigh-on definitive production for The Royal Ballet ranks as one of the most enduring and enchanting versions of The Nutcracker. With its festive period setting, dancing snowflakes and enchanting stage magic, Lev Ivanov’s 1892 ballet has become the perfect Christmas entertainment, with Tchaikovsky’s sumptuous, sugar-spun music the most recognizable of all ballet scores. Loosely based on the story by E.T.A. Hoffmann, the ballet opens with a lively Christmas party, its Victorian setting captured in opulent detail by Julia Trevelyan Oman’s designs. Wright’s choreography ingeniously incorporates surviving fragments of the ballet’s original material, including the sublime pas de deux for the Sugar Plum Fairy and her Prince. But in emphasizing the relationship between Clara and the Nutcracker Prince, the production also gains a touching subtext of first love. Tickets: £18.50, Concessions: £16.50, Child (under 16): £10
Broadcast

Royal Ballet: The Nutcracker (Encore)
Runtime: 135mins   Rating: LIVE
The young Clara creeps downstairs on Christmas Eve to play with her favourite present – a Nutcracker doll. But the mysterious magician Drosselmeyer is waiting to..read more
The young Clara creeps downstairs on Christmas Eve to play with her favourite present – a Nutcracker doll. But the mysterious magician Drosselmeyer is waiting to sweep her off on a magical adventure. After defeating the Mouse King, the Nutcracker and Clara travel through the Land of Snow to the Kingdom of Sweets, where the Sugar Plum Fairy treats them to a wonderful display of dances. Back home, Clara thinks she must have been dreaming – but doesn’t she recognize Drosselmeyer’s nephew? Peter Wright’s nigh-on definitive production for The Royal Ballet ranks as one of the most enduring and enchanting versions of The Nutcracker. With its festive period setting, dancing snowflakes and enchanting stage magic, Lev Ivanov’s 1892 ballet has become the perfect Christmas entertainment, with Tchaikovsky’s sumptuous, sugar-spun music the most recognizable of all ballet scores. Loosely based on the story by E.T.A. Hoffmann, the ballet opens with a lively Christmas party, its Victorian setting captured in opulent detail by Julia Trevelyan Oman’s designs. Wright’s choreography ingeniously incorporates surviving fragments of the ballet’s original material, including the sublime pas de deux for the Sugar Plum Fairy and her Prince. But in emphasizing the relationship between Clara and the Nutcracker Prince, the production also gains a touching subtext of first love. Tickets: £18.50, Concessions: £16.50, Child (under 16): £10
Broadcast

Royal Opera: Rigoletto (Encore)
Runtime: 165mins   Rating: LIVE
The corruption of innocence is at the heart of Verdi’s potent tragedy in David McVicar’s production for The Royal Opera. Rigoletto, court jester to the libertine..read more
The corruption of innocence is at the heart of Verdi’s potent tragedy in David McVicar’s production for The Royal Opera. Rigoletto, court jester to the libertine Duke of Mantua, is cursed by the father of one of the Duke’s victims for his irreverent laughter. When the Duke seduces Rigoletto’s daughter Gilda, it seems the curse is taking effect... David McVicar’s production highlights the cruelty at the heart of the court of Mantua. Richly dressed courtiers engage in orgies and revelries to Verdi’s heady, spirited dances. The opera’s many musical highlights include the ebullient ‘La donna è mobile’, in which the Duke boasts of his disregard for women; Gilda’s exquisite, plangent duets with Rigoletto and the Duke; and the gorgeous Act III quartet that beautifully weaves the voices together as the story quickens to its shattering conclusion. Giuseppe Verdi wrote in 1855 that Rigoletto was his ‘best opera’. He had had to overcome state censorship to stage it – the censors objected to its depiction of an immoral ruler – but he was vindicated by the premiere’s huge success in 1851. Rigoletto was performed 250 times in the next 10 years and has remained one of the most popular of all operas. Tickets: £18.50, Concessions: £16.50, Child (under 16): £10
Broadcast

Royal Opera: Tosca (Live)
Runtime: 180mins   Rating: LIVE
Tosca is one of the great evenings of opera, and from its strident opening chords conjures up a world of political instability and menace. Jonathan Kent’s..read more
Tosca is one of the great evenings of opera, and from its strident opening chords conjures up a world of political instability and menace. Jonathan Kent’s production for The Royal Operacaptures the dangerous political turbulence of Rome in 1800. The Chief of Police, Scarpia – one of the most malevolent villains in opera – ruthlessly pursues and tortures enemies of the state. His dark, demonic music contrasts with the expansive melodies of the idealistic lovers, Tosca and Cavaradossi, who express their passion in sublime arias, including ‘Vissi d’arte’ and ‘E lucevan le stelle’. Tickets: £18.50, Concessions: £16.50, Child (under 16): £10
Broadcast

Royal Opera: Tosca (Encore)
Runtime: 180mins   Rating: LIVE
Tosca is one of the great evenings of opera, and from its strident opening chords conjures up a world of political instability and menace. Jonathan Kent’s..read more
Tosca is one of the great evenings of opera, and from its strident opening chords conjures up a world of political instability and menace. Jonathan Kent’s production for The Royal Operacaptures the dangerous political turbulence of Rome in 1800. The Chief of Police, Scarpia – one of the most malevolent villains in opera – ruthlessly pursues and tortures enemies of the state. His dark, demonic music contrasts with the expansive melodies of the idealistic lovers, Tosca and Cavaradossi, who express their passion in sublime arias, ncluding ‘Vissi d’arte’ and ‘E lucevan le stelle’. Tickets: £18.50, Concessions: £16.50, Child (under 16): £10
Broadcast

Royal Ballet: The Winter's Tale (Live)
Runtime: 180mins   Rating: LIVE
Christopher Wheeldon, Artistic Associate of The Royal Ballet, created his adaptation of Shakespeare’s late great romance The Winter’s Tale for The Royal Ballet in..read more
Christopher Wheeldon, Artistic Associate of The Royal Ballet, created his adaptation of Shakespeare’s late great romance The Winter’s Tale for The Royal Ballet in 2014. Building on the success of Alice’s Adventures in Wonderland, The Winter’s Tale received ecstatic praise at its premiere, acclaimed by critics and audiences alike for its intelligent, distinctive and emotionally powerful story, told through exquisite dance. It is now widely judged to be a modern ballet classic.The story follows the destruction of a marriage through consuming jealousy, the abandonment of a child and a seemingly hopeless love. Yet, through remorse and regret – and after a seemingly miraculous return to life – the ending is one of forgiveness and reconciliation. With powerful designs by Bob Crowley and atmospheric music by Joby Talbot, The Winter’s Tale is a masterful modern narrative ballet. Tickets: £18.50, Concessions: £16.50, Child (under 16): £10
Broadcast

Royal Ballet: The Winter's Tale (Encore)
Runtime: 180mins   Rating: LIVE
Christopher Wheeldon, Artistic Associate of The Royal Ballet, created his adaptation of Shakespeare’s late great romance The Winter’s Tale for The Royal Ballet in..read more
Christopher Wheeldon, Artistic Associate of The Royal Ballet, created his adaptation of Shakespeare’s late great romance The Winter’s Tale for The Royal Ballet in 2014. Building on the success of Alice’s Adventures in Wonderland, The Winter’s Tale received ecstatic praise at its premiere, acclaimed by critics and audiences alike for its intelligent, distinctive and emotionally powerful story, told through exquisite dance. It is now widely judged to be a modern ballet classic.The story follows the destruction of a marriage through consuming jealousy, the abandonment of a child and a seemingly hopeless love. Yet, through remorse and regret – and after a seemingly miraculous return to life – the ending is one of forgiveness and reconciliation. With powerful designs by Bob Crowley and atmospheric music by Joby Talbot, The Winter’s Tale is a masterful modern narrative ballet. Tickets: £18.50, Concessions: £16.50, Child (under 16): £10
Broadcast

Royal Opera: Carmen (Live)
Runtime: 200mins   Rating: LIVE
Carmen is the best-known work by French composer Georges Bizet, and one of the most famous operas in the entire art form – numbers such as the Habanera and the..read more
Carmen is the best-known work by French composer Georges Bizet, and one of the most famous operas in the entire art form – numbers such as the Habanera and the Toreador Song have permeated the popular consciousness as little else has. The opera’s heady combination of passion, sensuality and violence initially proved too much for the stage, and it was a critical failure on its 1875 premiere. Bizet died shortly after, and never learned of the spectacular success his Carmen would achieve: the opera has been performed more than five hundred times at Covent Garden alone. This ever-popular opera is given a fresh point of view in Barrie Kosky’s highly physical production, originally created for Frankfurt Opera. The Australian director is one of the world’s most sought-after opera directors, whose Royal Opera debut with Shostakovich’s The Nose in 2016 was greeted with delight. For Carmen he has devised a far-from-traditional version, incorporating music written by Bizet for the score but not usually heard, and giving a new voice to the opera’s endlessly fascinating central character. Tickets: £18.50, Concessions: £16.50, Child (under 16): £10
Broadcast

Royal Opera: Carmen (Encore)
Runtime: 200mins   Rating: LIVE
Carmen is the best-known work by French composer Georges Bizet, and one of the most famous operas in the entire art form – numbers such as the Habanera and the..read more
Carmen is the best-known work by French composer Georges Bizet, and one of the most famous operas in the entire art form – numbers such as the Habanera and the Toreador Song have permeated the popular consciousness as little else has. The opera’s heady combination of passion, sensuality and violence initially proved too much for the stage, and it was a critical failure on its 1875 premiere. Bizet died shortly after, and never learned of the spectacular success his Carmen would achieve: the opera has been performed more than five hundred times at Covent Garden alone. This ever-popular opera is given a fresh point of view in Barrie Kosky’s highly physical production, originally created for Frankfurt Opera. The Australian director is one of the world’s most sought-after opera directors, whose Royal Opera debut with Shostakovich’s The Nose in 2016 was greeted with delight. For Carmen he has devised a far-from-traditional version, incorporating music written by Bizet for the score but not usually heard, and giving a new voice to the opera’s endlessly fascinating central character. Tickets: £18.50, Concessions: £16.50, Child (under 16): £10
Broadcast

Royal Ballet: New Wayne McGregor/The Age of Anxiety/New Christopher Wheeldon (Live)
Runtime: 180mins   Rating: LIVE
Leonard Bernstein was one of the first classical composers in America to achieve both popular and critical acclaim. He was eclectic in his sources – drawing on jazz..read more
Leonard Bernstein was one of the first classical composers in America to achieve both popular and critical acclaim. He was eclectic in his sources – drawing on jazz and modernism, the traditions of Jewish music and the Broadway musical – and many of Bernstein’s scores are remarkably well suited to dance. He was particularly associated with Jerome Robbins, their credits together including Fancy Free andWest Side Story. To celebrate the centenary year of the composer’s birth, The Royal Ballet has united all three of its associate choreographers to celebrate the dynamic range and danceability of Bernstein’s music. The programme includes two world premieres by Resident Choreographer Wayne McGregor and Artistic Associate Christopher Wheeldon, marking each artist’s first foray into Bernstein. At the heart of the programme is the first revival of Artist in Residence Liam Scarlett’s The Age of Anxiety, created in 2014 to Bernstein’s soul-searching Second Symphony. Both symphony and ballet are inspired by W.H. Auden’s masterful modernist poem, itself written in response to the atmosphere of disillusionment and uncertainty that followed the end of World War II. Tickets: £18.50, Concessions: £16.50, Child (under 16): £10
Broadcast

Royal Opera: Macbeth (Live)
Runtime: 200mins   Rating: LIVE
Verdi’s life-long love affair with Shakespeare’s works began with Macbeth, a play he considered to be ‘one of the greatest creations of man’. With his librettist,..read more
Verdi’s life-long love affair with Shakespeare’s works began with Macbeth, a play he considered to be ‘one of the greatest creations of man’. With his librettist, Francesco Maria Piave, Verdi set out to create ‘something out of the ordinary’. Their success is borne out in every bar of a score that sees Verdi at his most theatrical: it bristles with demonic energy.The warrior Macbeth fights on the side of the King of Scotland – but when a coven of witches prophesy that he shall become king himself, a ruthless ambition drives Macbeth and his wife to horrific acts. Murder makes Macbeth king, and intrigue and butchery are the hallmarks of his brief, doomed reign. The witches make another prediction, which also comes true: Macbeth and his lady lose their lives, and justice is restored. Phyllida Lloyd’s 2002 production for The Royal Opera is richly hued, shot through with black, red and gold. The witches – imagined by designer Anthony Ward as strange, scarlet-turbaned creatures – are ever-present agents of fate. Lloyd depicts the Macbeths’ childlessness as the dark sadness lurking behind their terrible deeds. The Royal Opera’s production uses Verdi’s 1865 Paris revision of the opera, which includes Lady Macbeth’s riveting aria ‘La luce langue.’ Tickets: £18.50, Concessions: £16.50, Child (under 16): £10
Broadcast

Royal Ballet: Manon (Live)
Runtime: 205mins   Rating: LIVE
Manon’s brother Lescaut is offering her to the highest bidder when she meets Des Grieux and falls in love. They elope to Paris, but when Monsieur G.M. offers Manon a..read more
Manon’s brother Lescaut is offering her to the highest bidder when she meets Des Grieux and falls in love. They elope to Paris, but when Monsieur G.M. offers Manon a life of luxury as his mistress she can’t resist. With the Lescauts’ encouragement Des Grieux cheats at cards in an attempt to win Monsieur G.M.’s fortune. They are caught. Manon is arrested as a prostitute and deported to New Orleans, followed by Des Grieux. On the run, Manon dies from exhaustion. Kenneth MacMillan’s source for Manonwas the 18th-century French novel already adapted for opera by Massenet and Puccini. The premiere was given on 7 March 1974, with the lead roles danced by Antoinette Sibley and Anthony Dowell. The ballet quickly became a staple of The Royal Ballet’s repertory, and a touchstone of adult, dramatic dance.MacMillan found new sympathy with the capricious Manon and her struggle to escape poverty. Designs by his regular collaborator Nicholas Georgiadis reflect this, depicting a world of lavish splendour polluted by miserable destitution. MacMillan’s spectacular ensemble scenes for the whole Company create vivid, complex portraits of the distinct societies of Paris and New Orleans. But it is Manon and Des Grieux’s impassioned pas de deux – recalling the intensity of MacMillan’s earlier Romeo and Juliet – that drive this tragic story, and make Manon one of MacMillan’s most powerful dramas. Tickets: £18.50, Concessions: £16.50, Child (under 16): £10
Broadcast

Royal Ballet: Swan Lake (Live)
Runtime: 180mins   Rating: LIVE
Swan Lake has had a special role in the repertory of The Royal Ballet since 1934. This Season The Royal Ballet creates a new production with choreography by Marius..read more
Swan Lake has had a special role in the repertory of The Royal Ballet since 1934. This Season The Royal Ballet creates a new production with choreography by Marius Petipa and Lev Ivanov, with additional choreography by Liam Scarlett and Frederick Ashton. While remaining faithful to the Petipa-Ivanov text, Scarlett will bring fresh eyes to the staging of this classic ballet, in collaboration with his long-term designer John Macfarlane.Prince Siegfried chances upon a flock of swans while out hunting. When one of the swans turns into a beautiful woman, Odette, he is enraptured. But she is under a spell that holds her captive, allowing her to regain her human form only at night. Swan Lake was Tchaikovsky’s first ballet score. Given its status today as arguably the best loved and most admired of all classical ballets, it is perhaps surprising that at its premiere in 1877 Swan Lake was poorly received. It is thanks to the 1895 production by Marius Petipa and Lev Ivanov that Swan Lake has become part of not only ballet consciousness but also wider popular culture. That success is secured not only by the sublime, symphonic sweep of Tchaikovsky’s score, but also by the striking choreographic contrasts between Petipa’s royal palace scenes and the lyric lakeside scenes created by Ivanov. APPROXIMATE RUNNING TIME: 3 HOURS, INCLUDING TWO INTERVALS Tickets: £18.50, Concessions: £16.50, Child (under 16): £10
Broadcast

Royal Ballet: Swan Lake (Encore)
Runtime: 180mins   Rating: LIVE
Swan Lake has had a special role in the repertory of The Royal Ballet since 1934. This Season The Royal Ballet creates a new production with choreography by Marius..read more
Swan Lake has had a special role in the repertory of The Royal Ballet since 1934. This Season The Royal Ballet creates a new production with choreography by Marius Petipa and Lev Ivanov, with additional choreography by Liam Scarlett and Frederick Ashton. While remaining faithful to the Petipa-Ivanov text, Scarlett will bring fresh eyes to the staging of this classic ballet, in collaboration with his long-term designer John Macfarlane.Prince Siegfried chances upon a flock of swans while out hunting. When one of the swans turns into a beautiful woman, Odette, he is enraptured. But she is under a spell that holds her captive, allowing her to regain her human form only at night. Swan Lake was Tchaikovsky’s first ballet score. Given its status today as arguably the best loved and most admired of all classical ballets, it is perhaps surprising that at its premiere in 1877 Swan Lake was poorly received. It is thanks to the 1895 production by Marius Petipa and Lev Ivanov that Swan Lake has become part of not only ballet consciousness but also wider popular culture. That success is secured not only by the sublime, symphonic sweep of Tchaikovsky’s score, but also by the striking choreographic contrasts between Petipa’s royal palace scenes and the lyric lakeside scenes created by Ivanov. APPROXIMATE RUNNING TIME: 3 HOURS, INCLUDING TWO INTERVALS Tickets: £18.50, Concessions: £16.50, Child (under 16): £10
Broadcast

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